![]() It’s music created from a photo I didn’t take by a program I didn’t write. Sure, I used my pictures for this and tweaked the settings, but my first run was using a picture of Jean Seberg. There’s very little hand of the artist in this. Lady Gaga mash up about 1000 times more.) I’ve also heard a lot of actual music that sounds like this. (Although, I listened to to that Cars vs. To tell the truth, I found these pieces engaging enough to listen to. Ok, so… I listen to a lot of ‘challenging’ music myself. ![]() 9.6 mbĭusk Created using Acoustic Grand Piano, Celesta and Xylophone and the same length notes for light and dark tiles. Sunset2 Created using same length notes for light and dark tiles. Sunset Created using the default settings and instrumentation. I made some music using a few of my photos. It’s strictly based on creator Kenji Kojima’s algorithm. The music it creates is ‘challenging.’ It’s not impressionistic, like a composer might create. A simple mosaic gives you a basic 2-3 minute song and much more detailed music resulting from a more complex mosaic, to the point where 100% detail gives you about an hour and 2o minutes worth. Increasing the amount of detail in the mosaic increases the complexity and length of the overall piece. The RBG values determine what specific note a color plays, with black being totally silent. What it does more specifically is make a mosaic of an image, then assign notes of a certain duration to teach tile. This is a small piece of software that makes music from photos. Of course, any way you want to approach it is fine as long as it looks and sounds good.Over the last weekend I read about RGB MusicLab. "If you start with how it sounds and work from pattern recognition, not pattern creation, you got the idea of something that both sounds beautiful and looks cool. "The problem of going for the 'catch of the eye' approach with something like this is that you will encounter things like it sounding crap most of the time," Vinter says. Vinter has only made a few himself, and most of them in a single day, including a monkey face, a Darth Vader face, a T-Rex, a fire-spitting dragon that plays the Mario theme, and a bird in the rain. And for him, turning images into sound can often be more about how the composition looks rather than how it sounds. Vinter says that MIDI art isn't a movement or even a recognized art form. In a way, Vinter's bird and Huang's unicorn are more like a blend of spectrogram compositions and Black MIDI. Vinter and Huang's MIDI compositions share some DNA with Black MIDI art, but they aren't about speed or patterns. They also design visuals, with colors connected to specific notes that created complex, psychedelic patterns when played. Originating back in 2009, Black MIDI artists use software to create musical compositions stuffed with a seemingly impossible number of notes. For the score of 'Eiffel Tower,' I selected 900 pixel-coordinates of one side of the building, transferred them into Mathematica software, created the MIDI file, and finally exported it into Sibelius and listened to it."Īnother example is the artworks made by the Black MIDI subculture. "We can finally visualize the content of the MIDI and see the image (only 2D, though). "Once I write the score, I can convert it into a MIDI file via a notational software," says Mannone, who notes the process can also be used to turn sound into images.
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